The spring weather is all but gone and I am in my studio concentrating on my alternative portrait commissions.
In weather like this it is difficult to get the studio warm enough; I can wear layers of clothes, my client needs to strip off. She had several hot water bottles and the fire was roaring; I think she was fine.
I start my torso sculptures by making a body cast of the client and it takes at least an hour to apply the plaster bandages.
Once the plaster has set, I can remove what now looks more like an empty shell.
Which I soft soap and then fill with plaster
After the plaster has set, you can peel off the plaster bandages
And then comes the fun bit; you need to make a plaster mold from your plaster cast by pouring fresh plaster on top of it. The trick is to use industrial amounts of soft soap. And to make sure you build strong clay walls to contain the plaster flow!
Here is one I made earlier….
I never seem to get used to the sheer terror of pouring wet plaster on top of dry, praying that I’ll be able to separate the two chunks once they’re set.
Once all that technical stuff is over and done with I can start to be creative by adding or subtracting bits of clay, patterns and motifs inside the mold. I never tire of it!
‘Mermaid’ 52”x 36” , a smoke fired ceramic torso sculpture made to hang on the wall.
Do you have people who come in and ask to have their own torso done?
LikeLike
Yes, I get commissions; my work, innit! 😉
LikeLike
Very creative stuff Anna. I can understand the trouble you must have to go through, to keep your models warm, when it is winter. It is nice to see a behind the scenes look at your art. Have a relaxing Sunday! Much Love Paul OXOXOXOXOXO
LikeLike
Thank you, Paul
LikeLike
You are welcome Anna. Thank you for also lking my poem ‘All for the love of Faye!’ I hope you are enjoying your Week, so far! Much Love Paul OXOXOXOXOXO
LikeLike
I had that experience today. Not the lying down for an hour and having bandages applied (though I think that could be beautifully relaxing, cold notwithstanding) but pouring plaster on top of plaster (I was being shown how). I found it such a pleasurably weird thing to crack the disposable mould and release the plaster within, identical, but smooth and sinuous and entire unto itself – ooh! It felt almost kinky! The mermaid torso is lovely – how wonderful it would be to be blue.
LikeLike
Come to my studio, and you will be! Brrr!
Plaster is a fabulous medium, so soft and creamy one minute and then. Pof. Rock hard. It is the undercuts that befuddle me.
LikeLike