Clay tablets

I have been having so much fun trying to capture the view from my studio on clay tablets.
Deciding what is important to include in my seascapes and what isn’t. I want to bare everything down to the bare minimum, without becoming totally abstract.
So I started off with 10 fired ceramic plaques which I was going to smoke fire.

Here they are, glazed with transparent glaze and a lot of different oxides. I have deliberately hammed it up a bit, as the smoke will knock the colours back

I place the plaques in my dustbins and pack them up with dry leaves, saw dust and newspapers

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My favourite dustbin is too full of holes and what with the gale blowing things are getting far too hot for my liking. But it is too late to back out. I can’t stop the process now. I should have listened to the weather report..
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I had a very restless night listening to the gales and wondering if the bins would tumble over by the force of the wind.
The next morning I found that the bins were still standing but most of the clay tablets had cracked – I guess the heat was too uneven. These are the ones that remained in one piece. But even one or two of these have hairline cracks in them and I won’t be able to sell them. But I still like the three that remained intact. With smoke firing, you never know what you are going to get.

www.annakeiller.com

 

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About Anna

I am a ceramic sculptor living on the South coast near London, England. My work is influenced by my experience of the earth as a living being and seeing how we are all connected with eachother and with the things that surround us. I create ceramic torsos using molochite clay which I often smokefire in galvanised dustbins. I also make House Gods to protect and amuse, and Fat Birds - little smokefired sculptures that tell the story about what it is like to be a fat bird at peace with its surroundings.
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